Since 1988, Myriam has developed a body of work grounded in wandering, a physical and emotional methodology through which the act of looking becomes an act of relation. Working across Europe, the Americas, Africa, and Asia, she approaches public space not as a site of extraction but as a field of potential encounters. Her images resist the spectacular, inhabiting instead that subtle, often imperceptible threshold where anonymity gives way to recognition.

Her photographs are built on time: the time to walk, to wait, to observe, and
to allow situations to unfold without intervention. At the core of her process lies the notion of tacit connection, a silent agreement between photographer and subject that precedes the making of the image. Within this space, the camera ceases to function as an instrument of distance and becomes a mediator of shared presence.

Her background in theatre direction (1998–2004) is evident in her acute sensitivity to gesture, spatial composition, and the latent dramaturgy of everyday life. The bodies that inhabit her images are never reduced to symbols; instead, they become carriers of interior narratives, suspended between public exposure and private experience.

Formally, her work is characterised by a restrained visual language, privileging emotional density over visual excess. Whether working within dense urban environments or transitional spaces, metros, streets, thresholds, she reveals micro-moments of humanity that might otherwise dissolve into the collective flow.